This is, of course, not a big surprise because some of Powell’s original themes are reused in this score. The light-hearted orchestral music, full of thematic ideas, is very much what he would have written. When I listened to the soundtrack for Buck Wild for the first time, I immediately heard John Powell’s legacy. I was quite curious what kind of music he would write as the main composer on a project, after having worked in Powell’s inner crew for so long. As a member of Powell’s crew, he is responsible for writing additional music for Powell’s scores, and he has transformed pieces from Powell’s music into fantastic suites for concerts that I have attended. Being relatively unknown in the film music community does not mean he has not left his mark, because he has been working with John Powell for many years. I think it is a safe assumption that many people who like film music do not know who he is, since he has not been credited as the main composer on many scores. The most recent movie in the franchise, The Ice Age Adventures of Buck Wild, does not have music by Powell, but to be honest I am not disappointed, since the music was written by Batu Sener. His music for the How to Train Your Dragon trilogy is magnificent, but it is not the only animated franchise he has written music for, because Powell has also composed the music for most Ice Age movies. One of the best composers for creating such a score is John Powell. Additionally, in many animated movies – especially adventurous ones – many things are happening and they all need musical support. Since animation does not involve real people acting, a viewer can often miss important facial expressions, making the mood of the supporting music even more important to express how a character feels. Animation movies are often quite a challenge to write the music for.
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